The idea of playing favorites has always baffled
me. When people find out that I really like show tunes, and Broadway, a lot of
times they ask me what my all-time favorite show is. Which… how do you answer
that? I can't even say which movie is my favorite… or which pair of shoes I love
more than any other. I don’t play favorites well.
There are a lot of things that I could throw
down as high on my list. One of my favorite songs from a musical I really like
to listen to, and is timeless is Aquarius, from the American Tribal Love Rock
Musical: Hair. To be clear, the 2009 Revival with Sasha Allen singing the
opening solo is what makes me the happiest! I also really like to hear Heather
Headley sing “Shadowlands” from the Lion King, and Sherie Renee Scott belt her
face off in “Strongest Suit” if I feel like dancing around in my underwear.
There are several Broadway stars that I really
like to listen to, and fawn over. I think Sutton Foster is pretty high up on
the list. Her body of work is chock full of shows that hold a special place for
me. I was in a production of thoroughly modern Millie, I am obsessed with the
song “I Know it’s today” from Shrek: the musical”, The Drowsy Chaperone
was one of the first shows I saw on Broadway (with her still staring as Janet)
and Little Women was a cast album that I was able to bond with some of my closest
friends over.
Kerry Butler also falls in the same category
with Sutton Foster for the body of work she has created is shows that I really
enjoy. The original Broadway cast of Hairspray is one that I really enjoy, and
her as Penny really makes me laugh, and I love her take on Kira in the cast
album of Xanadu, and I have already mentioned how much I love Little Shop of
Horrors, with her as Audrey. She recently did “Catch Me If You Can” which I
recently discovered I really enjoy. She is a Broadway Treasure.
Sometimes I really just like to listen to a cast
album from front to back, and those I guess go high up on my, for lack of a
better term, favorites lists. Composer Frank Wildhorn wrote some truly stunning
music for Bonnie & Clyde, starring Laura Osnes, and Jeremy Jordan. A go-to
for me that I like to listen to if I am feeling melancholy, and don't want to
be cheered up is ‘bare: a pop opera’ which is just so desperately sad, but I
love so much of the music, and I love the performances by that studio cast. I
have seen that show performed 3 times on stage, now… It makes me cry every
single time. I also really like the structure and performances of Sherie Renee
Scott and Norbert Leo Butz in Jason Robert Brown’s The Last Five Years. In the
Heights was such a revelation of Hip-Hop and Latin infused music that I love to
just put that cast album on and sing my heart out, and dance my face off, plus
Lin-Manuel Miranda is notorious for being the nicest guy on Broadway, and I love
that. I also really like listening to 2010 Pulitzer Prize winning drama Next to
Normal. The heart-break and emotional maturity in that piece of musical theatre
will always make me sit down and listen.
Composers will also get in my head and I will
shuffle through some songs from Jeanine Tesori’s work with Fun Home, Shrek,
Thoroughly Modern Millie, or Caroline or Change. Jason Robert Brown has some
great shows with the previously mentioned The Last Five Years, Parade, Songs
for a New World and also getting familiar with his new work on Bridges of
Madison County, and Honeymoon in Vegas. I have largely stayed away from his
musical 13. I don’t know why, but I just don’t like it.
Stephen Sondheim’s work is something I can
always fall into. Company, Sweeney Todd, Into the Woods and Assassins are
probably the shows I am most familiar with, and always try to listen to some
tracks every month. They make me think, especially with some of the odd musical
passages, and intricate lyrics patterns. I have never gotten super into Sunday
in the Park with George, Merrily We Roll Along, Passions, Bounce, or Follies. I
have seen and enjoy Funny Thing Happened on the Way to the Forum but have found
it's not easy to just dive into, personally.
I hate to say this but my vocal ensemble did a Sondheim
show right before I joined the group, and I missed singing in it, and also in
singing the material they covered and I will always lament that fact
I did, however, have the great joy of directing
Into the Woods this past year, so I think that by default that show is really
high on my list of shows I love, and maybe might qualify as an actual favorite
just because of how intimately well I know it.
There are also several shows that I have been
part of that I like to listen to, like All Shook Up. What a FUN score, I miss
singing with that cast. Also Cabaret is another show that I love to listen to,
and even though the memories of that show in particular were so bittersweet
because of my personal life, that show was such a beacon of light for me. The
25th Annual Putnam County Spelling Bee was the last musical I did in Northern
California before I left, so there are lots of great feelings tied to that
show. Annie, which a lot of people don't like on principal, was a fantastic
show to be in the chorus for. I played so many different characters!
So I don’t play favorites… I play everythings. I
love the different emotions that story driven songs bring out in me, I love
different interpretations of different casts for the same show, and I love how
certain performers will bring you to a different place every time they sing. I
love to find similarities in pieces when a composer writes a different show.
Do you have a favorite? Is it easier for you to throw down the gauntlet in what is the best, to you?
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